Céleste Boursier-Mougenot February 9, 2010
Posted by admin in : Exhibitions, Installation, Performance , comments closedI love this performance piece, it’s one of those pieces that is so blindingly simple that you wish you’d thought of it yourself.
French artist Céleste Boursier-Mougenot creates works by drawing on the rhythms of daily life to produce sound in unexpected ways.
For his installation in The Curve, Boursier-Mougenot creates a walk-though aviary for a flock of zebra finches, furnished with electric guitars and other musical instruments. As the birds go about their routine activities, perching on or feeding from the various pieces of equipment, they create a captivating, live soundscape.
27 February 2010 – 23 May 2010
The Curve, Barbican, London
http://www.barbican.org.uk/thecurve/blog/index.html
Moth TV October 15, 2009
Posted by admin in : Installation, Street Art , comments closedHere is Elliott’s video of the Moth TV guys visit he other day. Anyone else got any footage we can put up here?
http://www.vimeo.com/7060518Interactive Swedish Piano Stairs October 15, 2009
Posted by admin in : Ideas, Installation, Interactivity , comments closedI love this idea which has just appeared on youtube. Funnily enough I read an interview with guitarist Les Paul who died recently about when he first started making guitars, he was interested in the sound properties of wood. He took the wooden treads off the stairs at home and planed them down to different thicknesses so that when he ran up the stairs they sounded like a marimba.
Under Scan April 22, 2009
Posted by admin in : Installation, Interactivity , add a comment
This is a beautifully realised public art piece that uses some state of the art projection technology.
UNDER SCAN is a large-scale public art project commissioned by the East Midlands Development Agency in England. Thousands of “video-portraits” taken in Derby, Leicester, Lincoln, Northampton and Nottingham will be projected onto the ground of the main squares and pedestrian thoroughfares of these cities. At first, the portraits will not be visible because the space will be flooded by white light coming from the world’s most powerful projector. As people walk around the area, their shadow will be cast on the floor, revealing the video-portraits. The short video sequences begin with the subjects in a still position turned away from the camera. As they appear within pedestrians’ shadows, their bodies move and their heads turn to look straight at the pedestrian, potentially giving rise to an interesting range of interactions. When a shadow moves away from a portrait, the portrait likewise reacts by losing interest and looking away. With the assistance of a large team of developers, ArtReach production and Stage Right staging